Tag Archives: Brand Planning

Building Brand Fans with Storytelling

People Thumbs upAt the center of all marketers’ brand ambitions sits the hope of creating a fan base. All brands have customers, the people that buy the brand, but few have a substantial fan base. The difference between fans and customers is behavioural. Fans are the type of customer that feel they are brand stakeholders. Fans go out of their way to buy and use a brand. They talk about the brand for you, harnessing the power of story through word of mouth. They position your brand better than you will. To your other customers they are the authentic voice of the brand, more so than you.

I wondered what powers a brand fan base. If storytelling is at the center of the brand fans activity, what do fans do to build their brand story? I looked at several types of fans to see what they had in common. A company creates four key activities  to build  brand fans that allow them to create the overall brand story. Fans are engaged in watching or viewing brands. They are very involved in sharing the brand with others. In fact this is central to a brand fan. Brand fans are involved with playing with the brand. Lastly brand fans are seekers and sharers of brand news.

“This simple model of branding can act as a checklist for your storytelling. You can see if all the brand assets are connected to enable customers to become brand fans”.

The diagram below represents a map of the overlap with a brand assets and essential brand activities. When this map is used to view a brand, Marketing departments can see if their brand will sustain the needs of brand fans. By ensuring these activities are supported and easy for potential fans to engage, there is a greater chance of creating a fan instead of a customer. Of course some of these activities are needed just to build a customer base but if you want to build a fan base you need to enable fans to connect them together. Social media and the rise of mobile and real time communications are allowing smart companies to build these activities into their marketing campaigns and fan base building tactics.

Brand Fann Venn

Lets look at some examples of fan based activities to see how these maps work. Sports fans are engaged in several types of brand activities. Sports fans of course want to watch their teams and of course there are now quite a few ways that fans can see sport. Live view is the best for a fan but often a treat for the die-hard fan. Television is the most popular way but mobile through smart phones and tablets like IPad are quickly becoming a preferred channel. Replay is also a need for the fan to be able to access viewing of sports events to supports the fans brand needs. This has created need in other channels like YouTube, Vimo, and Personal Video Recorders on Satellite and Cable as well as rewind TV. This represents how Sports fans are engaged in watching or viewing their brands.

The ability for fans to share their experience is a central brand activity. Fans want to align and identify with a brand and with sports its central. Sports fans have allegiance to a team and this creates feeling of belonging that stems from tribal activity. People want to wear the colors of their tribe and tell other people. Sharing used to be limited to colours and badges. Post game stories have always been shared by word of mouth just as great battles were told in around campfires. But today’s sports fans can indulge in storytelling about their team and brand in many ways. Fans are often leaders of their own followers, people in their lives who listen to them and are informed and influenced by them. So today’s brand fans need new ways of sharing their passion. Pictures via Flickr, twitter and Facebook enable this before during and after the event. Fans “Check in” at events on Facebook as statements of support and to broadcast their participation with a brand. Enabling fans to share what they see combines the need for watching and sharing. The better you are able to help fans share their participation the more the fans brand experience can by experienced by others. This raises brand awareness and is reinforces the fans identity with the brand.

A more recent brand activity essential to building fans enables fans to play with the brand. In sports this is a little easier than for other types of brands but as we will see still very achievable. For sports fans the computers, smartphones and tablets like IPad have built on a generation of fans who grew up with Xbox and PlayStation. In this way fans not only get to support a team but they get to become the team. This is the ultimate in control of a brand. Recently the ability to be able to share this gaming/ playing has become an important extension of the identity brands can create. You can paly online with others or share your successes on social media. In this way the statement people make using the brand through the game is embedded in their lives. This is part of the attraction of storytelling brands that enable people to use brands to live their archetype better.

Finally brands are able to capitalize on their thirst for new news about a brand. In sport newspapers, radio and television have reported on teams and players achievements. But in recent years the control of the news has moved from the selected few journalists and moved to the masses. In combination with our fans need to share watch their teams, news is being created as it happens. Twitter and similar services enable people to receive news as it happens. For the segment of people who are more passive this brand extension helps keep them connected.

This simple model of branding can act as a checklist for your storytelling. You can see if all the brand assets are connected to enable customers to become brand fans. Do you enable your customers to share brand images you have created? Do you celebrate when customers create their own images and share them? How do you create and support the creation of news about your brands? Are enabling your customers to play with your brand? What happens when you let your customers view your brand? If your can create a tactical plan that employs these aspects you set your self up to enable your brand to create fans. Of course you need an authentic brand story but customers need more than that to become fans.

Leave a Comment

Filed under Branding, Design, Marketing, Pharmaceutical, Sales, Storytelling, Uncategorized

The Need For Story

Coulour Eye

Jonathan Gottschal puts it well in the “Storytelling Animal” that history is a story we tell ourselves but its only from one viewpoint  and the future is a story we tell ourselves that we want to come true. Phillip K Dick , the master of Sci Fi storytelling, said that reality is what you have left when stop believing in everything. Daniel Kahneman in his best seller “Thinking Fast and Slow” writes it best for me.  He says that our brains have evolved to seek out stories to make what we see and experience understood. Story then is our central learning and reference system.

“As a pharmaceutical marketer you need to employ both a compelling story and great evidence in the form of clinical studies to introduce a new brand.”

Kahneman continues by explaining that we can think of our brains having two controlling systems, an intuitive system and a rational system. The intuitive system is fast, quick to make judgement and  desperate to make a complete story to tell the slower, heavier processing rational system. It seems we have a general tendency to favour  the intuitive system and only when this fails to make sense of what we see we use the rational system. In order to keep us processing quickly we use little stories, well-known to us that are similar to the experience at hand. Even when we do not have a complete picture this system will create a story so convincing that we feel that it is real so that our rational system is convinced it doesn’t need to engage. This is why we feel so many situations are familiar. This is why we need stories.

For humans this gives us a big evolutionary advantage. We can make connections between similar events and “know” what to do when confronted by similar situation. It’s this process that tells us to be defensive when we see certain expressions on people’s faces. This system is so good that we can pick out dangerous people in a crowd and avoid them. Our minds complete the information in front of us telling us a story that reminds us that such people are to be avoided as we see the future flash through our mind with the man approaching and trying to steal the bag you are carrying.

Brands can benefit from this system too. Brands that connect inner stories with memories can tap into their associated  emotions. These emotions will sway our decisions whether  to desire brands or not. However when there is no story to a brand we create one ourselves and engage the rational system more to help us make choices. There is also a downside to our desire to have the intuitive system make quick decisions. It can mean that we fail to analyze all the available information settling for the seductive and easier life offered by the story to by the intuitive system.

Does this mean that by employing storytelling we are hoodwinked our audiences and encouraging them to make quick opinions of brands without deeper and more rational considerations? I don’t think that this is the true. Yes advertising can create sales when appropriate stories are used. Whether you intend to tell as story as part of your communication or not, consumers are wired to tell a story anyway. Storytelling only becomes persuasive when it is authentic and resonates. When brands tell stories that don’t seem genuine and the brand experience is counter to the story being told the we sense it and require more processing and conscious involvement to create action.

Writing in favor of authentic stories to aid communications, I think the power of story is captured by Kahnemen’s concept of Processing fluency. The ease that we process information and make decisions. By applying the intuitive brain’s inbuilt library of stories we are able to increase processing fluency using less mental energy and allowing the brain to move on to other decisions. When there is no clear story  there is a need for the slower rational system to help in the decision process and this reduces processing fluency and is less desired as it limits decision-making. Have you ever been in a shop and argued with yourself whether or not to buy something. The more you wrestle in your mind back and forward the less likely you are to purchase because your rational side is slowing the process down and your cognitive fluency falls. This can be a good thing preventing you from making a mistake but it also represents a lack of faith in the story told by the intuitive system.

In Pharmaceutical sales & marketing we are trying match both the intuitive and rational systems of our minds, We want the intuitive system to find ease and comfort in processing the story the brand tells but we also want to have concordance with the slower rational side of decision-making. The best pharmaceutical brands activate the intuitive system to create cognitive fluency and supports the deciding rational system with compelling clinical evidence providing the logic for clinical decisions. As a pharmaceutical marketer you need to employ both a compelling story and great evidence in the form of clinical studies to introduce a new brand.

3 Comments

Filed under Branding, Marketing, Pharmaceutical, Sales, Storytelling, Uncategorized

The Pharma Story

iStock_000014853789Small

For clinical practice to change with the introduction of new medicines it’s clear that we need real evidence of the value each new medicine brings. However understanding this value is not always easy, as the value is always in reference to an existing medical option. Like all other times when we need to understand something we look for ways to help our brains make sense of the information we are presented with. Simple references are dealt with in a metaphorical way.  For example “This is a bit like that”. In more complicated conversations, archetypes guide us on a knowing path to help toward the expected outcomes of conversation. Wrap these up and you have the beginnings of a Pharma story. It’s the narrative that surrounds brands, value propositions and clinical evidence.

It’s highly probable that the work by Daniel Kahneman in ‘Thinking Fast and Slow” supports the thought that we naturally resist new ideas or concepts without a resonating story. Kahneman says this is due to our desire for cognitive fluency. Fluency is a state where the intuitive system of our minds readily processes information as it looks for meaning. Where meaning cannot be found the reasoning part of our brain takes over and enters a slower but more methodical approach to work out meaning. As he says the brain is lazy and likes a compelling story to guide it.

Changing medical practice requires compelling data and product evidence, but eventually to complete the complex and distant sales model we need compelling stories or short narratives. We need the intuitive system to give the green light for the rationale system to engage and make the changes suggested by the data. In the absence of a compelling story the intuitive system can create a story of its own with the potential for biased assimilation of data ie the use of data to support reasons not to use the brand. For this reason even the best evidence based brands can struggle to engage without a compelling story to carry the data into understanding.

Our jobs in creating the Pharma story are to generate significant advances in clinical data but also to enable cognitive fluency in the communication of it. Our minds are set to look for and create stories. Phama needs to connect its data with compelling stories that aid  understanding.

 

Leave a Comment

Filed under Innovation, Marketing, Pharmaceutical, Sales, Storytelling

Connected- The Story of Brands

Great brands are easy to spot. They are iconic, talked about and present in our lives. Some of these brands are goods like iPods, or watches, some are cars,  while others are medical, like Aspirin. Brands extend past objects to people, like David Beckham or Obama and even to countries.

After writing on the topic of storytelling for a while I have seen how storytelling is central to brand image creation and brand destiny. I have seen there are different types of stories that people tell around brands.  Great brands have the effect of creating happiness for the people using them or the people and communities around them. The happiness created may be long or short-lived but either way there are different types of story associated with brands.

I have seen many brands use storytelling but fail to connect to their audience in the way that brand makers intend. As brand makers we are all trying to get our brands used and heard by our audiences but the challenge of being listened to is getting harder.  So why is that? Why do our brands either connect of fail to connect? I think there are five levels of brand storytelling that you need to consider when building your story so you can be sure you are going to connect to your audience.

Level 1: Reciprocity, drive and enthusiasm

Level 2: Inspiration, persuasion and motivation

Level 3: Trust and authenticity

Level 4: Choice and freedom

Level 5: Happiness

I have an idea that we are all aiming to create happiness in creating and selling brands. Happy customs are good customers. Unhappy customers don’t often come back for seconds. Storytelling is  important to creating brand equity through customer happiness. Each of the levels lends itself to different types of story and different types of telling. Great brands are able to build the pyramid of stories moving the customer experience from level 1 through to level 5. When you look back at the list, these levels create the connectedness many of us have felt when we have experienced a great  product, service and brand. Think back to some of  the legendary brands like Coke, Nike, Apple, Starbucks and Harley and you will be able to find the following types of stories.

Level 1: Stories of what the company gives to  the customer how it makes the customer feel. What we give.

Level 2: Stories that describe effect of our brands  on our customers. What we create.

Level 3: Stories of the company or brand philosophy behind the brand. What we become known for.

Level 4: Stories that customers tell about purchasing or acquiring the brand. What customers get.

Level 5: Stories that customers tell of using the brands.What customers want.

It may seem that we should only focus on the stories on level 5 “Creating Happiness” but the more  I think about it the more I see that this is only really successful when the base of stories is also in place. The connectedness between these stories come from lots of different research looking at happiness. The stories we tell that show our happiness in life are those where we are in flow. We are free to tell those stories and happy to do so. Can you remember wanting to tell you best friend about the latest thing you bought? Something you were really  proud of?  Something that signalled a little part of your personal arrival. Something you repeated a little story about to different friends? Important stories that precede these are stories of the choices you made and the freedom to make those. To enable these choices,  stories that the company making the brand must have communicated to you were stories that enabled trust and the authenticity that breed trust in you to part with money. Once again, there is a lower level of story that told by great brands to enable this trust. Before trust and use come the ability to move people to do something different. Stories that motivate , inspire and persuade people are important. You can’t create trust and authenticity without desire! Lastly its been well-studied that people become givers through reciprocity, giving without expectation of receiving. The enthusiasm crafted in level 1 that creates the drive and reciprocity is essential to gain access to people minds.

I think people have told stories from these different levels since story telling began. As Jonathan Gottschall says we are a “The Storytelling Animal” we are literally programmed to tell stories about everything. For the first time I think its  possible to see how these different stories work together to build Superbrands.

I have had several teachers along the way to help me towards this view. Here are most of the masters creating compelling stories across these levels. I’m indebted to them for their inspiring work and making me think everyday.

Further Reading
Happiness: Rubin, G. 2008. The Happiness Project. Harper.s
Freedom: yengar, S. 2009. The Art of Choosing. Twelve.
Choice: yengar, S. 2009. The Art of Choosing. Twelve.
Authenticity: Cialdini, R. B. 2005. influence. HarperBusiness.
Inspiration: Roberts, J. M. 2007. Igniting Inspiration. Booksurge Llc.
Persuasion: Borg, J. (2006). Persuasion. Pearson Education.
Motivation: Burg, B., & Mann, J. D. (2009). The Go-Giver. Pengui
Drive: Pink, D. H. 2010. Drive. Riverhead Trade (Paperbacks)
Reciprocity: Cialdini, R. B. 2005. influence. HarperBusinessBurg, B., & Mann, J. D. (2009). The Go-Giver. Penguin

Storytelling: Simmons, A. (2005). The Story Factor. Basic Books (AZ)
Burg, B., & Mann, J. D. (2009). The Go-Giver. Penguin

3 Comments

Filed under Authenticity

Batman and the Storytelling Map

In my last post I wrote about the Story Map I used to analyze stories and search for ways to incorporate brands into well known narratives. By using the same tools as Hollywood its possible to effectively place your brand inside a well known story which takes very little energy (and money)  to communicate its core idea to your audience.

In this post i’ll demonstrate the principles of the story map using the well known comic strip story and Hollywood blockbuster Batman. First, here is the story map in table form. Its easier to use on a computer this way but the four circle version lends itself to brainstorming and classroom formats. Choose the one that is easier for you to use.

Batman’s Premise
A wealthy businessman who as a boy who sees his parents killed becomes a masked avenger of Gotham‘s evil criminals. He battles for justice and a better society while risking his real identity becoming known.


I got to the premise by writing each of the nine lines to define the  story and choosing the voice words from each of them to get to the premise. Now I know its easy to do this for such an iconic story but I’ve also used it to generate the stories for my brands at work and some of the best know Pharma brands. I’ll post some pharma brands in the next posts.

Leave a Comment

Filed under Branding, Marketing, Pharmaceutical, Storytelling, Uncategorized

Storytelling Maps- Storytelling Creating Tools

What is a story made up from? Over the last few years of writing about storytelling in Pharmaceuticals and other major branding genres I have always struggled to answer the question in a simple way. Plato suggested that all stories  have  a beginning middle and end and Aristole wrote about pathos, logos and ethos. Others have shown that stories can be boiled down to seven major themes and its fascinating to see that Cinderella was told in Europe, India and China at the same time even though there was no possibility of the story having been passed from one region to another. Like the other  stories this was a “Universal Story” an understanding we are born with supported by our cultures and our humanity. Part of the universality of stories was explored by Carl Jung with his work on archetypes as universal characters who behave in well known and expected patterns.

Even knowing these elements of stories and what makes them good and bad, I still find it difficult to explain to people what the essence of a story is. Perhaps the story premise or long line is as close as you can get to the real essence of a story. It’s the boiled down content that everyone can easily digest. But this still doesn’t help me in the way I need to explain the ideas of storytelling and how they apply to building great brands. To help me I created the “Four Circle Story Map” as a way to breakdown the contents of a story into its building blocks. The Story Map can be used to either dissect story into its components or to build a compelling story from scratch. As all brand architects know get the brand story straight in the early days is vital to create effective brand communication and sales.

The Four Circle Story Map is based on Michael Hauge’s observations of how to pitch stories and plays to Hollywood. As I sat in my Swiss holiday chalet with the kids playing Memory behind me I stole a short time go over the Michael’s advice and read through many of my old Moleskin note books that go with me everywhere. I saw four circles overlapping to capture the interplay between elements Hauge suggest are key to pitching and therefore creating a story that leaves people wanting to learn more. The four major circles represent the key elements of a story. If it doesn’t have these then I don’t think you can tell a story. The are the hero or protagonist; the conflict; the story set up and the deep issues the story tackles. As you can see in the picture below those circles overlap in certain places like a Venn diagram. Where they intersect they cause interactions that define the hero’s opportunity; the story tension and the hero’s arc. Further overlaps define the protagonists motivation and the empathy that the protagonist employs in the story and of course the overlap of all these is the essence of the story.

A good story is defined by how a protagonist moves to resolve a conflict in its journey, employing empathetic traits to engage an audience and live true to its outer motivation. To make it easy to use as a tool the circles can be used as a list of question that create all you need to know to understand your story. I use this now to capture the elements of other people’s stories and the elements of great brand communications (stories) for Pharma and beyond.

  1. Story Set Up: What we need to know in the stories history
  2. Protagonist: Who is the protagonist
  3. Conflict: What conflict faces the protagonist
  4. Outer Motivation: What is the motivation for the protagonist (to win, to return, to grow etc)
  5. Deep issues: What larger issues does the story deal with ) poverty, injustice)
  6. Opportunity: What prize is on offer to protagonist
  7. Arc: how will the protagonist change over the course of the story (Frightened bystander to confident activist)
  8. Empathy: In what way will the protagonist take (humorous, powerful, likable)
  9. Tension: What is the unspoken feeling feeding the conflict based on the deeper issues the story talks to

By working through the nine elements you are forced to thing about the different interactions the elements have in the story. It will help you see if everything hangs together well and will help you get at really concise premise that you can use to catalyze your communications. When i’m creating brand stories I use this to see where the brand will be used. What role does it play in the story and to keep the brand in the story relevant and authentic. I think this helps you focus on who your audience is. How your brand will fit into their narrative and how you might want to tap into that life narrative with your communications.

To get started, try it on a film and then a brand you know well. When your set make some notes about your brand and have a go with the circles or list. Let me know how it goes.

3 Comments

Filed under Branding, Marketing, Pharmaceutical, Storytelling

The Value of Storytelling in Sales

Continuing on my mental model month I tried to summarise the value I see in stories. At its simplest when people communicate they are trying to get across and idea. The audience can be transported by the communication to understand the idea, getting to a shared understanding. On the other hand the audience may fail to get the idea.

In both these paths, storytelling is an effective communication method because stories create triggers that transport you to the shared vision of the idea faster than any other  form of communication. On the other hand stories can miss their mark but still be useful in overcoming issues in the audience’s mind that stop them getting to a shared vision. In both paths are supported by storytelling.

The stories we are talking about are not fairy tales. The more I speak about storytelling the more I have learnt to add this paragraph. For some people its natural to think that we mean the type of story that we tell children. While that is a possibility and the simplicity of children’s stories is worth looking at, I am really talking about the small bites of communication that we can use. The style of narrative allows meaning and context to be understood. Stephen Denning in the Springboard ignited my interest many years ago with his observation of telling a story about knowledge management at the world bank. He found that when he opened  his presentations with a small description of an event in Africa and the way his organisation could manage knowledge management better, people quickly understood the whole of his presentation and it was easy to speed across the organisation. His African springboard story transported his audience. I had the same experience in communicating the value proposition for an antibiotic. By looking for a universal story about the antibiotic, I was able to communicate quickly and effectively. The more I look, the more I see storytelling supporting great brands.

In pharmaceutical sales, this model just as valid.  Stories communicate the value of the therapy, how and where to use it. There are may times when the story doesn’t transport the audience to the shared idea. Objections are the classical way sales teams work through discussions with physicians, using evidence based medicine to discuss concerns and build confidence. Storytelling helps here too. Case studies, narratives and stories of how other people overcame similar issues are effective at getting across the evidence for your brand.

1 Comment

Filed under Uncategorized

Creating Brand Happiness with Storytelling

It struck me that happiness at any level is the result of many other feelings and actions. The diagram below is the simplest mental model I could create. It says that happiness is created from Trust, Choice and Freedom. I think brands are able to create happiness when they help us tell stories of trust, stories of choice and stories of freedom. If we want customers to tell happiness stories with our brands as actors in the story  we have to focus on  getting brands stories to overlap around trust, choice and freedom. That’s not to say people won’t be moved to buy brands without these stories but its likely they  will move quickly to other brands. Creating happiness allows you to create fans and generate long-term relationship.

3 Comments

Filed under Branding, Knowledge transfer, Marketing, Pharmaceutical, Storytelling

Stories That Create Trust

Stories help us understand the world around us. They have a sticky quality to them when they work and are told well. Somehow we are made to create and retell stories and these sticky stories are often part of culture society and of course history. The meaning they create helps us make connections between the many different ideas we hold in our heads. Stories have the power to conjure up visual interpretations of ideas and concepts. These visuals allow us to see how different ideas fit together but these visuals also trigger emotions from our memory of events and experiences associated with our mental pictures. Sound, texture, smell and taste all have the same effect of crating these vistas. that’s why a smell, a song or a picture , perhaps of a holiday, can transport you to a different place, make your heart race and skin to prickle. We have all had these moments and its the story that these create that supports or alters our current behaviour.

When the topic of storytelling is brought up in the board room for a company or in the marketing department for a brand, many people expect that they have to create a novel or epic. In fact the stories we speak of in storytelling are small. Sometimes they are just turn of phrases or metaphor. The best way to think of them are to think of the film premise you read on the back of a DVD. They capture nearly two hours of a film into a couple of sentences. From this stories can be expanded or told in chapters but often the essence or premise of the story is told most frequently.

Our main thirst for telling stories is to motivate and create trust. We tell stories to create or sustain faith in ourselves. When we tell stories that incorporate brands we have bought or created we are again telling stories that in some small fashion are told to build trust. Our aims, on either a conscious or subconscious level is to build trust and faith in ourselves.  Brands help us be the way we feel most authentic, dynamic or self fulfilling. Brands support our personal story, perpetuating the persona we are constantly building or supporting. Some brands play a big part or our life story and some just a minor or supporting role. Either way brands we need, but not commodities,  become part of our story.

As brands  become incorporated into our lives we use them to tell wider stories to other people and groups. In this way the stories we tell build trust and faith in ourselves with the public. They aim to show the authentic us and help up motivate and persuade the people we wish to influence.

Leave a Comment

Filed under Uncategorized

Brand Happiness

Successful brands create  states of happiness which may last for seconds or become a permanent for the user. Happiness is a better gauge  of  brand success than equity measures we often use today. It seems that happiness, at least on one level,  is connected to choice and that in turn is connected to freedom.  So only with freedom  can you get true choice and happiness. To enable choice , we need freedom to do the things you want the way you want to and feel freedom from things that restrict your ability to do things.

Creating happiness with your brands you need to create brand stories that generate a sense of choice and freedom. In a crowded market freedom is not often an issue but its worth seeing if there are any openings for brand stories that create “freedom to” or “freedom from ” stories. Stories for choice are vital forces for second to market brands. The power of choice is often overlooked as an empowering communication position for brands entering into a closed or restricted market space. Buyers that accept choice stories create freedom and happiness.

There are good examples of freedom stories for brands like Harley and Landrover. You would expect this for brands like this but pharmaceuticals also tell these stories too. Lunesta tells stories of freedom to sleep and freedom from the nightmare of insomnia. The more you think about it the more brands you can think of pharma brands that could  tell freedom stories to both physicians and patients. Freedom in viral disease, freedom in oncology brands as well as well-known freedom stories in erectile Dysfunction. Some stumbled upon the freedom story and therefore create happiness in ability to create freedom from and freedom to but some have still to find it inside their brand identity to unlock their potential.

Choice on the other hand is a special sort of story that harnesses the power of freedom and the human need for autonomy. As Dan Pink writes in Drive. Autonomy is a key need for humans. The ability to choose in a category where there was .  No choice is powerful if the audience is told stories about how this choice helps them be more free and how this give them more autonomy. Reading many of the IT Superbrands like IPOD, IPAD and windows the incumbents could have used the freedom angle to create choice and activate feelings of autonomy leading to happiness. Once again Pharma brands can use these stories built from evidence based medicine to demonstrate freedom to choose as new entrants to a market.

This isn’t to say that pharma brands do not need differentiation based on sound patient important outcomes. On the contrary, these become the price of entry. However to get noticed you might have to use this and stories that activate basic drivers for change, Freedom, Choice and Happiness.

2 Comments

Filed under Uncategorized

Storytelling Superbrands B2B Marketing

Storytelling to create Superbrands

Here is the article I wrote for Superbrands Swedish Edition 2011.

One of the most recent trends in business communications is storytelling. It’s an ancient art that has been suppressed in the modern world in favour of data, facts and attributes. Superbrands though, have all found a way to resurrect storytelling in their DNA and this is one of the core reasons for their differentiation and success. Finding your brand story can unleash untold opportunities to connect to your audience in a more relevant, authentic and value creating way.

There are schools of thought that say B2B brands do not need the same brand building attention as their B2C counterparts and B2B Brands are purchase in a less emotional and more rational way than in a consumer market. This isn’t a view that I subscribe to. I believe that we engage with brands in the same way. We are motivated to engage with brands that are relevant and fulfill part of the personal story of the purchaser. We do not leave our consumer minds behind when we enter an office, so it’s no surprise that B2B Superbrands pay as much attention to the essence of great consumer brand building with techniques like storytelling.

Origin of stories

Before spoken communication evolved, stories people told stories though symbols, drawings and dance. Stories were the original medium of communication between people and they are how we started our vast capability for learning and education. Even before the written word was widely used, epic stories of wars, far off lands and monsters filled the evening air as a form of both entertainment but also as a way of creating learning, and establishing society values. It’s no surprise that storytelling at the heart of Aboriginal, African and all other ancient civilizations. Stories create meaning for ourselves and pass on our knowledge. Society uses stories to create an identity for its communities. These communities use stories to create understanding of the rules that apply.

So deep is this process of storytelling in our psychobiology that the brands we connect with today are evaluated subconsciously by which story they tell us. Superbrands tell us stories that resonate and are relevant. If you do not tell a story that resonates with your audience, you will not be recognised and will disappear. All too often brands today are built on platforms that communicate product attributes or benefits but are not part of a story. When your market research shows you that your audience is not aligned with your messages it is likely that they are not becoming part of your targets personal story.

Brand Stories

It does not matter if you are creating a business-to-business brand, a business to consumer brand or you as personal brand. The aim of your communications will be to strike a relevant chord in your prospects mind. Getting this attention has been the work of every branding creative agency for the last fifty years. Initially it was easy, but as the volume of brand information increased it got much harder to be heard through all the noise. What separates out the Superbrands is their ability grabs this attention. This is done through delivering relevance and meaning which creates a long lasting connection with your audience. The best way of creating relevance for your brand is to ensure your brand plays part of your target audience’s personal story. So it is not about you creating a great story for your brand, it is about knowing your audience and their story and how your brand fits in to that story. The great thing about stories is that there are only a few basic stories and they go across cultures. If you have ever read a story to children you remember that if you miss out a word by mistake, a child will to correct you because they know these stories so well. There is something about a story that even if you have heard it many times you want to hear the end. The cinema industry knows this well. It creates films based on well-known stories and even though you know how the plot will unfold, you still want to see the end. Good stories are based on six basic themes.

  1. Why I am here stories: for the right to speak, authenticity and relevance
  2. Who I am stories: for authenticity, relevance & personality affinity
  3. Where are we going stories: to define role, relevance & transformation
  4. What is my vision stories: defines journey, future, who is with me
  5. Where we came from stories: defines values and heritage, journey to date & lessons learnt
  6. We have a problem/ solution story: defines issues and solutions, call to action and resolution

People build up stories based on these themes which you can think of as an inner library. When they encounter a new object they generally fit to one or more of these categories. Your brand will be measured against way that other brands fit into these story themes. If your brand can enable the audience to fulfill that story, better than another brand, you will have created deep and long lasting brand loyalty.

To understand how your brand can tell an impactful story we must introduce the role of archetypes and metaphors. We all know that great stories have compelling characters. Carl Jung’s analysis showed that there were a set of common characters universally understood and recognised and more importantly that these characters had story lines that they always followed. The characters are known as Archetypes who follow story Arcs. Great examples of these are the Hero (much discussed in Joseph Campbell’s Hero with a Thousand Faces). Other archetypes such as Jester, Magician, Sage and Guardian all have a defined personality and follow story arcs. When we think of brands, these archetypes can be translated into a brands personality. Audiences understand these brand personalities because the archetypes are universally recognized. Smart marketers understand their audiences and the how a brand will be incorporated as part of the personal journey or story. People use brands just like props in a film to accomplish tasks and to transition from one chapter to the next.

Superbrands are built by creating a personality that fits into the audience’s story arc. The great news is that when brands get this right the effort communicate the brands personality is significantly lower than unfocused brands. When you look to brands that work in this way, you will instantly recognise them as brands that launched with relevance and created instant market penetration with minimal need for mass communication. In fact these brands are characterised by audience word of mouth communication which isn’t a surprise as because word of mouth communication is storytelling. We do this every day by telling small stories to each other over coffee or other places where we meet. We tell stories to each other and incorporate relevant brands into those stories but we only incorporate stories that are easy to tell. Building brand stories based on archetypes allows your audience both understand your brand and re tell it.

Brand Storytelling Manifesto

The Brand Storytelling Manifesto sets out to provide a framework to change that future for your brand. The central theme for this is storytelling that allows your customers to understand and interact with your brand. Here is the manifesto.

  1. Employ left and right brain tactics: Include the emotional aspects of your brand as well as the rational
  2. Fulfil human hierarchy of needs: Fulfil a higher need state than your competition
  3. Dig for metaphors and archetypes: Base stories on well known story arcs and metaphors
  4. Persuasions, motivation and enthusiasm: Create fans not just customers
  5. Create evidence based stories: Be able support with evidence claims made in your stories
  6. Choose your point of view: Altering the perspective the story is told from can change the story
  7. Engage word of mouth advertising: Set up stories that can be retold easily
  8. Open source branding: Plan to let go of your brand and let your fans help you create it
  9. Make your brand authentic: Create credibility with consistent actions
  10. Have a beyond the brand strategy: Ensure all corporate stories  and activities support the brand stories

Business to Business branding in the next decade

As an example, I would single out the Schindler Group as a well thought through B2B brand. With a heritage in creating lifts and escalators, they have not settled for the easy ground of function. They have effectively evolved their vision and value stories to encompass the concept of “vertical mobility”. They have rebuilt their brand around stories of moving people to higher places engaging many of the tools discussed in this article.

Just as we expect there is a large emphasis on branding and advertising towards consumers. Only in recent years has the B2B sector come under the spotlight. Just like their consumer counterparts B2B brands must build enthusiasm, trust, personality through a mixture of right and left brain stimuli to ensure the emotional as well as the rational brain is served. The stories that help you connect and understand what to do with consumer brands like Disney and Apple also help us connect with brands focused on business customers. Cisco, Fedex, 3M and Schindler are all examples of companies investing in creating both corporate as well as product and service brand stories.

8 Comments

Filed under Uncategorized

Storytelling and Brand Buying: A Note for Buy.ology

Portrait of author Martin Lindstrom

Image via Wikipedia

I have just finished  reading  Buy.ology, a great book by Martin Lindstrom.It’s a well written discussion of the rise of neuromarketing and his research to find parts of the brain associated with different aspects of Brand equity and desire. There is a great discussion of mirror neurones  promoting like for like actions and creating desire for brands when you see other people using or wearing them. He also discusses the need for full immersive brand narrative to enable product placement to work. Rituals and Superstitions as a habit-forming pattern that can aid brand adoption. Religion, Sensory marketing and sex are also highlighted for being closely related experiences that activate emotion used in branding and advertising.

Part of his book talks about somatic markers- or shortcuts to brain bookmarks that code for experience, emotion, reward or punishment. Brands can create somatic markers and be reactivated later to relive the emotion and the sense to buy (to complete the emotion activated). The smell of fresh bread is a given example that triggers  the thought of eating nice bread, increasing the sales of  bread in those shops. I discussed using sensory marketing in an earlier post.

These themes connect with a lot of  aspects of storytelling and linking some of Martins theories with Storytelling could shed even more light on how to connect deeply with consumers. I think stories have a bigger role top play in the brand experience and why people buy. I think its more than just seeing people and thinking, I want to be the same. Customers all have their own life story and brands become part of that story enabling them to become closer to their own life narrative.  Some brands tell stories that fit with people’s life stories and they become a part of that person’s life. So much so that people tell other people (word of mouth) to let other people into their story and about the brand and that’s far more effective than traditional advertising. We are starting to find that these brand fans are worth far more than normal customers who may use the brand, but have little loyalty. These brands fail to create a story that is incorporated into customers narratives.

We know there are only a few core stories and that are so well understood by people that they have been called archetypes. These inner story tapes can be accesses instantly and brands are compared to them for closeness of fit. We all know how these core stories play out and therefore how brands will fit in . Often we see that metaphors are the way to activate memories and the encoded emotions (engrams) by association. These metaphors can be verbal, visual, through sound, smell or taste. Each can activate a nuerological pathway called and engram (Mark Beatey in Brand Meaning) and the associated emotions. The more experiences a person has the stronger the pathway is  set and the easier it is to access. Powerful brands, like Martin says, can activate these emotions easily but I think its deeper than mirroring neurones.

While Martins research is truly amazing and as a scientist and a marketeer I get excited by these things I do wonder if this is only part of the story. For the relationship between the fMRI studies and religion vs brands it was seen that an area of the brain activated by religious images is also the same area as well known brand icons. I think it is a leap to say that these are linked based on the information. Could it be that these areas of the brain are associated with recognition and acceptance of stories verses struggle and absence of relevance that small brands communicate. Did Martin and his team find the “Story Centre’ and he is seeing the firing of engrams of well known stories in action? I hope so. If he repeated the test with children’s’ stories or famous movies like Star Wars or Raiders of the Lost Ark may help answer it.

I’m going to investigate the discussion on somatic markers as well. As these are experiential and learnt, it would be difficult for these to be passed from one person to another. But we do see desire for brands before people have been able to experience them for themselves, indicating there is more to it than experience, emotion reward or punishment. Metaphors help us explain things both to ourselves and to others. It also appears that metaphors are passed from people to people and that emotions can be experienced even before the actual physical interaction of a brand or event happens.

Its a great Saturday when your left thinking about a subject you love , so a big thanks to Martin Lindstrom and his Buy.ology book for stimulating the day. I hope to follow up this post in the next few weeks with some more thoughts.

5 Comments

Filed under Branding, Marketing, Storytelling, Uncategorized

Story Quote: Roald Dahl

Portrait of Roald Dahl

Image via Wikipedia

“There is more truth in story than detail and fact.” Roald Dahl’s publisher on Roald Dahl’s work

Leave a Comment

Filed under Uncategorized

Storytelling Helps People Stop Smoking

GSK have launched a great direct to consumer Ad for its smoking cessation brand Niquitin. The Ad called “You From the Future” and it tells the story of  a woman who is standing outside a restaurant talking to another woman. We find out quickly that it’s the same woman but one of them is from the future. It’s a future where she has given up smoking. To encourage and support her younger self she gives glimpses of the future and tells her little stories of how she can to stop smoking telling her that she did quit but there were moments along the way where she gave in and had a cigarette at a party but it didn’t derail her completely.

I like the way its told. Its shot in a similar style to the Time Travellers Wife and the way that it taps into the psychology of smoking cessation in recognising that there are good days and bad days in the journey to quitting smoking and also that people need support and inner strength to keep steadfast on their goal. The team that made this recognised that the brand needed to have some sort of oracle /protector personality and that the insights into successful quitting included that people are most influenced by visions of themselves in the future. Imaging you in the future allows the person to take control. I’m guessing there were many insights and metaphors from smokers  about being trapped and powerless and possibly not being able to think of  future without cigarettes.

The key message of  you can get there one cigarette at a time is a power support message that is played visually and told through story during the Advert as a journey hence the metaphor of getting there. The brand offers help during each for those daily steps to reaching the end of the journey.

I’m really interested in the concept of temporal anomalies with people meeting themselves in the past or future and story characters interacting with each other in ways that a were not planned by the author. Great examples of this are Back To the Future , Forest Gump  and more recently Heroes . I’m researching this as a way of embedding metaphors in communication in an interesting way for audiences. Using  known stories and creating a subplot  where I can use the main story characters and story setting to make my audiences understand my messages with greater relevance.

(Disclaimer: I do not work for GSK- Actually I work for Novartis another pharmaceutical company and I am involved in COPD. I am writing this  blog from a personal view and these view do not represent the view of Novartis. )

The

3 Comments

Filed under Marketing, Sales

Storytelling Boosts UK Farm Sales

Yeo Valley are an organic dairy products company in the UK. Getting noticed in this commodity market is not easy. Building brand awareness is tricky but this company employed some great storytelling skills in a new campaign.

The Yeotube video score over 1.5m views since its launch with many spin-off videos also making a connection back to the brand.

The 2 minute ad shows young farmers rapping about Yeo Valley, its purity, coolness and connections to nature. By telling there “Who am I Story” on national TV in a video they enabled both rational and emotional messages to mix with word of mouth potential trough the viral release of the video. Most of all the effective use of varied visual volume gets it noticed.

Does Storytelling work then? Its clear this advert boosted sales by 10m in the last 12 weeks with spend per household up by 16% in the same time period. Its created a connection to  its audience. It seems though that its is very similar to the Ontario, Canadian milk board Advert which is very similar.  Marketing Manager Ben Cull from Yeo Valley might not have had the original idea but ist is certainly much better thought through and produced.

Leave a Comment

Filed under Uncategorized

Sky Connects to customers with Storytelling Ad

The Satellite TV company SKY just launched a new channel with a short spot using Dustin Hoffman. It says what I feel about the power of storytelling.

Leave a Comment

Filed under Branding, Marketing, Sales, Storytelling, Uncategorized

Stories for Unreal Time

PSFK the innovation and trend group lead by Piers Fawkes posted a fascinating concept on their blog in December. They posted on  “Real” and “Unreal” time. The author suggested many people these days are faced with so much real-time information that we now seek stories to help us make sense of all this new information. When we do this we are entering the so-called unreal time. This is a time and place where the constraints of natural physical laws do not exist. Time doesn’t have to march to its normal constant drum beat and becomes more flexible.

So it seems that we have a need to make sense of the world both in real-time and unreal-time, where we are more in control. It could be that stories are the ferry that enables us to  cross from one place to another. Maybe this is why we say,stories “transport” us to another place.  I guess this could be another example of right and left brain thinking which all of us use. Right brain activities may control the real world while the left dominated in the Unreal-time. Spending too much time communicating in either time scheme could be a source of frustration to your customers.

The problem today is that we are now able to get access to data and information in real-time. News is “pushed” to us every minute. We can analyse data on the go and this constant demand access is attractive but without context or story might not transport or inspire your customers. I think this is a really good alarm bell that teaches us to continue to balance out our communications and help our audiences take meaning from them. While  your engaging your customers in Real time don’t forget to allow them to visit the Unreal time with your brand stories.

Leave a Comment

Filed under Uncategorized

What is a Brand

A simple yet complicated question. What is a brand?
In my mind a brand is something that creates a set of emotions and consistently reactivate that emotional set when re experienced by its audience. Emotion is a great word because its Latin roots are in the word for motion and movement. Just what a brand should do. Move it’s audience.

As a marketer, creating the desired emotion to anchor your brand a key activity. A great way of getting your audience to understand this emotion and build your brand is to tell them a story that let’s your audience experience the emotion associated with your brand. This enables your audience to pass on the meaning of your brand ton others by retelling the story or adapting the story into a story of their own. It also creates greater personal relevance for your brand.

2 Comments

Filed under Uncategorized

HSBC Storytelling Ads part II

As the earlier post rocketed to the top of the reading list on the New Brand Stories Word Press site I thought I would take a look at some other of the in the series. This one looks at the contrast between two worlds of trendy and traditional.

The combination of  image and type  draws you in and transports you to a place where the observer uses this as a metaphor for other conflicts of interests. Transportation of audience is a key concept in storytelling and HSBC has found a great way to keep this simple but with impact.

2 Comments

Filed under Branding, Marketing, Sales, Storytelling

Tension and Conflict: Marmite Love it or Hate it

To capture the attention of an audience you need to stand out. Seth Godin writes this so well in the Purple Cow and lately the Linchpin. Both these great books show why being not just different but remarkable is the way forward. Seth Godin is supported in this mission to release peoples inner greatness by many factors of storytelling. After all great brands are created by great storytellers and in turn by great people.

One element that Seth Godin mentions is the tension and conflict that great people and brands for that matter experience on their way to greatness.  I connected this to  a short paragraph I read recently on archetypes written by Carl Jung.  He said that an archetype remains dormant until its opposite is aroused. Then it is activated and the energy generated between them is created – a tertium quid- a third thing.

This means that we need to find the tension in our stories to allow are archetypes to fulfil there promise and for our audience to connect with them. We need to create room for our antagonist in our story narrative. The conflict this creates could be external, inner or interpersonal conflict. Either way the energy this creates fuels our brands.There are many examples of this in branding from Obama vs McCain to the great “love it or hate it” Marmite campaign. Here conflict is created from an interpersonal aspect. The tension galvanises the “Love It” camp to buy Marmite as a statement against the “hate it camp”. If the persona that the “love it”or “hate it” camp fits it can be used  by people to create identity and differentiate themselves in a small way. The energy of the antagonism fuels the brand and creates more than just buyers it creates fans. By the way can you tell i’m a “love it” person?

2 Comments

Filed under Uncategorized